For today, I wanted to share with you “Love Tones“, an explosive Afro Disco Boogie from Cameroun with crazy synth sounds & powerful horns, taken from a single recorded in the late 70s in Paris (France) by the Robert Nkwitchoua, an obscure Cameroonian composer & musician who recorded three singles before disappearing in Paris in the early 80s.

Produced by the legendary producer Gilles Sala, this single includes some of the best Paris-based Cameroonian musicians of that era, such as Toto Guillaume & Vicky Edimo :

Toto Guillaume : Arrangements, Lead Guitar ;

Francois Amadou Corea : Rhythm Guitar ;

Robert Nkwitchoua : Author, composer ;

Bebe, Esther, Florence : Backing Vocals ;

Vicky Edimo : Bass Guitar ;

Patrick Francfort : Drums ;

Devastating dance floor tool when I play it in clubs, hope you’ll like it – Enjoy !

Nkwitchoua – Love Tones (Cameroun, 1970s, Capriccio)

You can also listen to this song on my Youtube Channel here : https://youtu.be/_6AUcSvWF3U

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

For today, I wanted to share with you “Spell Bound“, an awesome Afro Disco Soul track from Nigeria & Cameroun with crazy Synth sounds, taken from “Disco Season”, the sole LP of Nigerian / Cameroonian band “PSK” recorded between Nigerian (Godiac Studios of Enugu city) & Jamaïca (at the mythical Treasure Isle Studios)  in 1980 on the private record label “Jeantos Inter“.

The group included some of the best Nigerian & Cameroonian of that era, such as Willy Nfor amongst others as :

Terry “Kiss Disco” Stone : Co-producer, Vocals, Effects, Guitar ;

Jones “Coakly” Ogbonna Jr. : Lead Guitar, Vocals ;

Danny C. Black, Michael Byyon : Keyboards ;

Austine Rigar : Drums, Vocals, Percussion ;

Willie Nfor : Bass Guitar, Percussion ;

Pius Nasoso : Congas, Percussion ;

Papa Nfon Joe : Guitar.

Full of awesome tracks, that invisble record that has now reached the holygrail status as its almost impossible to find, especially in that pretty good condition – hope you’ll like, enjoy !

PSK – Spellbound (Beware of Magic Charms) (Nigeria, 1980, Jeantos Enter)

You can also listen to this song on my Youtube Channel here : https://youtu.be/ZovVeAhztOg

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

For today, I wanted to share with you “Yemakpego Dragons”, an outstanding 15min Afro Latin Salsa Pachanga Soul track from Benin, taken from the sole LP recorded in 1984 by the Beninese composer & musician Toffo Houssou “Miguelito” Gilles and released on the mythical local label “Albarika Store” founded in 1964 by Adissa Seidou.

On this album, Toffo-Houssou Miguelito is backed by the famous band “Les Volcans de la capitale” founded in 1962 under the name “Orchestre de la Gendarmerie Nationale du Benin” & composed with members of the national police orchestra.

Huge dancefloor burner in the genre, always a sure shot when I play it in my DJ sets – Hope you’ll like it, enjoy !

Toffo-Houssou Miguelito – Yemakpego Dragons (Benin, 1984, Albarika Store)

You can also listen to this song on my Youtube Channel here : https://youtu.be/q_BhtY_JTN4

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

Following this former article, I wanted to share with your for today “Longoka“, a sweet Funky Afro Soukous Fusion Soul track from the Democratic Republic of the Congo with deep psychedelic Synth parts, taken from the 2nd & last LP of the “Trio Bydoli“, recorded in the early 80s in Ivory Coast on the legendary local label “Editions Sodogil”.

This band was composed with a bunch of three musicians (Bhy Gao, Domingo Salsero & Lea Lignanzi, who used the first syllables of their names for “Bydoli”) from Bangui (Central African Republic), but who quickly left their hometown to play & tour with several mythical Congolese musicians & groups, as Henri Bowane, Sam Mangwana, Orchestre Veve & Trio Madjesi.

Highly recommended & hard to find LP, full of great tracks in all kind of genres from Afrobeat to Blues – Hope you’ll like it, enjoy !

Trio Bydoli – Longoka (Central African Republic / Democratic Republic of Congo, 1980s, Sodogil Editions)

You can also listen to this song on my Youtube Channel here : https://youtu.be/FuwNAtxUPnU

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

For today, I wanted to share with you “Ghazal” (“غزال” in Arabic or “Antelope” in English), an awesome uptempo 70s Afro Garage Twist Soul Jerk track from Sudan, taken from the first K7 tape recorded in 1977 by the legendary Sudanese composer & musician Sharhabil Ahmed (“شرحبيل أحمد” in Arabic) and released on the mythical Egyptian record label “Sono Cairo“.

Born in 1935, Sharhabil is the founder of the Sudanese Jazz scene, who dedicated his life to modernize Sudanese music, merging Surf, Rock & Funk occidental influences with Congolese music and East African harmonies (Ethiopian & Sudanese traditional rhythms) & instrumentations.

He’s also known as “The King Of Sudanese Jazz” as he won a national Jazz contest in the early 70s among with mythical Sudanese bands as The Scorpions leaded by Saif Abu Bakr (سيف أبو بكر).

Really hard to find tape nowadays, testimony of the past & piece of Sudanese heritage – Enjoy !

Sharhabil Ahmed – Ghazal (Soudan, 1977, Sono Cairo) شرحبيل أحمد – غزال

You can also listen to this song on my Youtube Channel here : https://youtu.be/ayOXvvYlTrE

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

For today, I wanted to share with you “Dis Merci Ton Papa “, a deep syncopated 70s Island Sega Synth Soul track from La Reunion (Indian Ocean), taken from the second (and last) single recorded in 1977 by the Reunionese musician & performer Ray Grammont, and composed by Camille “Jacky” Lechat, another great figure from the island.

Ray Grammont was backed on that recording by “Le Club Rythmique”, a local music band formed in 1968 and leaded by the composer & musician Jean-Jacques Cladère, who was also the creator of the Disques Jackman record company (as the single presented here), and owner of the first professional recording studio of the island that welcomed by time a big part of the artists of the island (Jacqueline Farreyrol, Maxime Laope, Jacky Lechat, Marie-Armande Moutou, Pierrette Payet or Michel Adélaïde, who was also part of the band).

Funfact : Ray Grammont was the father of the French Reggae, Soul, Ragamuffin and Gwoka musician & singer David “Tonton David” Grammont, one of the best French figures of the 90s era !

Hope you’ll like this daily rediscovery, enjoy !

Ray Grammont – Dis Merci Ton Papa (La Reunion, 1977, Disques Jackman)

You can also listen to this song on my Youtube Channel here : https://youtu.be/qzdWxjxCQDo

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

Following this former article, I wanted to share with you for today “Pot Pourrit De Guajira“, a gorgeous 70s Afro Cuban Latin Soul Fusion track from Senegal, taken from one of the several albums recorded by the mythical Senegalese Band “Orchestra Baobab” (spelt here “Orchestre Baobab Gouygui De Dakar”), formed in the early 1970 and famous for merging Cuban Music with traditional West African Wolof Griot culture and the Mandinga musical traditions of the Casamance in an Afro Cuban, Afro Latin & Afro Pachanga style.

Still touring today, the band features the following musicians :

Barthelemy Attisso : Guitar, Arrangements ;

Medoune Diallo : Lead Vocals, Maracas, Arrangements ;

Charles Antoine N’Diaye : Bass Guitar ;

Peter Udo : Clarinet, Alto Saxophone ;

Mountaga Koite : Congas (Tumbas), Drums ;

Papa Ba : Guitar ;

Issa Cissoko : Leader, Tenor Saxophone ;

Balla Sidibe : Timbales, Vocals ;

N’Diouga Dieng, Rudolphe « Rudy » Gomis : Vocals, Percussion ;

The album presented today is one of my favorite from the band, nice exampled of their ability to merge all styles – Hope you’ll like it, enjoy !

Orchestre Baobab Gouygui De Dakar – Pot Pourrit De Guajira (Senegal, 1979, Discafrique Records)

You can also listen to this song on my Youtube Channel here : https://youtu.be/QSHhLs6XAWM

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

Following this former article, I wanted to share with you for today “Fin Vacances“, an obscure laid back minimal Afro Synth Electronic Soul track from Togo a la William Onyeabor, taken from the only album recorded in the early 80s by the Beninese musician “Agbo Bruno Vikass“, that includes the following musicians :

Agbo Bruno Vikass : Composition, Vocals, Producer, Rhythm Guitar ;

Noel Houmbiye (from the band “Noel & Mathilde” I talked about here https://youtu.be/5hTXPVLZ5mQ) : Lead Guitar ;

John Migan : Drums, Arrangements ;

Camice : Bass Guitar ;

Tomi : Organ ;

Really deep & usunual track, hope you’ll like it – Enjoy !

Agbo Bruno Vikass – Fin Vacances (Benin, 1980s, Les Editions A.B.V)

You can also listen to this song on my Youtube Channel here : https://youtu.be/s1ZToYLBBPg

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

For today, I wanted to share with you “Kpalanuma“, a mind-blowing 70s Highlife Soul track from Nigeria with Afrobeat influences & instant catchy horn & synth parts, taken from one of the several albums composed by the very prolific Nigerian composer & musician St. Augustine Anwunzia backed by his “Rovers International“, recorded in 1978 on the Nigerian branch of the mythical label “Polydor”.

St Augustine’s albums are known to be upper-class Highlife, but that one remains my favorite, blending many genres as it contains outstanding Afrobeat, Highlife but also Reggae tracks.

More, it features some of the greatest Nigerian & Cameroonian composers of that era, as :

St. Augustine Anwunzia : Lead Vocals, Composition, Arrangements ;

Tony Bonny Wailer, Johnny Woode : Drums ;

Frankie Ntoh Song : Guitar Synthesizer ;

Fred Fisher Atalobhor  : Trombone ;

Willie Nfor : Bass Guitar ;

Joe Chiejina : Maracas ;

Andrew Kisito : Vocals ;

Abi John : Lead Guitar ;

Jossy Egele : Congas ;

Sharp Mike : Trumpet ;

Killer album from start to finish, hope you’ll like it – enjoy !

St. Augustine & The Rovers International – Kpalanuma (Nigeria, 1978, Polydor Nigeria)

You can also listen to this song on my Youtube Channel here : https://youtu.be/Hq69T1vH96w

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau

Following to this former post, I wanted to share with you for today “Yumbeye“,  a deep bouncy 70s West African Psychedelic Mbalax Fusion Jazz Funk track from Senegal with crazy organ parts, taken from the first album of the Senegalese band “𝐋𝐞 𝐗𝐚𝐥𝐚𝐦” founded in 1965 by the songwriter & guitarist Sakhir Thiam.

By the time, the members of the group have changed several times, including legendary artists as Idrissa Diop, Cheikh Tidiane Tall and Thierno Koité.

This LP includes the following musicians :

Georges Dieng (solo Guitar) ;

Sanoussi Sidibe (Rhythm Guitar) ;

Serge Alvez (Bass) ;

Henry Guillabert (Organ) ;

Moussa Diongue (Vocals) ;

Ibrahima Conudoul (Vocals) ;

Xalifa Cisse (Congas, Vocals) ;

Abdou Mboup (Percussion);

Prosper Niang (Drums) ;

Tonia Lo (Saxophone, Vocals) ;

Cheikh Diop (Trumpet) ;

Jean-Pierre Gandour (Guitar, Vocals) ;

Recorded live in June 1975 at “Le Sangomar” night club in the city of Thies, you can really feel you can really feel a special energy emanating from this beautiful album.

And we didn’t mention this gorgeous cover !

Highly recommended album from start to finish, hope you’ll like it, enjoy !

Le Xalam – Yumbeye (Senegal, 1975, Musiclub)

You can also listen to this song on my Youtube Channel here : https://youtu.be/tLGH2C9hQdA

Follow me on Instagram too for more exclusive contents : https://www.instagram.com/armand_de_preseau/

Have a nice Sunday, see you next week for another musical rediscovery !

Armand de Preseau