Mahmoud Ahmed – Mela Mela (Ethiopia, 1973, Amha Records)

For today and following to this post, I wanted to share with you “Mela Mela“, a bewitching Ethio Jazz track recorded in 1973 by Mahmoud Ahmed and his band, IBEX – Enjoy !

Mahmoud Ahmed – Mela Mela

You can also listen to this track on my Youtube Channel here : https://youtu.be/uV2zKnuxMME

Have a nice Sunday,

Armand de Preseau

Le Kéné-Star de Sikasso – Fitiriwale (Mali, 1977, Mali Kunkan)

Le Kéné-Star de Sikasso was one of the regional Malian Orchestras (such as “L’Orchestre Kanaga de Mopti” or “L’Orchestre Sidi Yassa des Kayes“) back in the 70’s.
The group was composed, among others, by François Ballo, Mamadou Touré, Mamadou Diakité and Cheick Sadibou Diabaté, former members of “L’Orchestre Regional de Sikasso“, who released one album in 1970.
For today, I wanted to share with you “Fitiriwale“, an outstanding psychedelic afro jazz track, recorded and released in France in 1977 on the mythical “Kiosque d’Orphée” label, a song that deals with wedding, and the ingratitude of the husbands towards their former wife and the good things they did for them – Enjoy !
Le Kéné-Star de Sikasso – Fitiriwale
 You can also listen to this track on my Youtube Channel here : https://youtu.be/76RJPhrpzX4
Have a nice Sunday,
Armand de Preseau

Idrissa Soumaoro et l’Eclipse de l’I.J.A – Nissodia (Mali, 1978, Eterna)

For today, I wanted to share with you a legendary Malian record out in 1978 on ETERNA, a German based label from Idrissa Soumaoro and the German association “L’Eclipse de l’Institut des Jeunes Aveugles” (I.J.A.) (Blind teenagers institute).

This record was produced at the time by the German association that took care of blind Malian teenagers in Bamako, and it was never properly released commercially.

This is the first record on which were revealed three future huge names of the Malian music : Idrissa Soumaoro, Amadou Bagayoko and Mariam Doumbia (the well known Malian musical couple “Amadou & Mariam“, who got married together later, but that’s another story..).

The track presented here, “Nissodia” (that could be translated in English by “Joy Of Optimism“), is a pure gem, 8min long feel-good blend of furious guitars, psychedelic organ parts & celestal voices – Enjoy !!

Idrissa Soumaoro et l’Eclipse de l’I.J.A – Nissodia

You can also listen to it on my Youtube Channel here : https://youtu.be/aVKG8-DFROk

Best regards,

Armand de Preseau

Coulibaly Tidiani – Sie Koumgolo (Burkina Faso, 1979, Sacodis)

 Coulibaly Tidiani, born on the 31th of December 1941 in Kankala town, was one of the most famous  singer from Burkina Faso (former Upper Volta) in the 70’s, as well as Amadou Balake.
He began his carrer in the 60’s playing with the Volta Jazz Orchestra, and founded his own band in the 70’s, the “Orchestre Dafra Star de Bobo-Dioulasso”, one of the most popular band at the time in the country.
He recorded three albums, and a few 7 inches records.
The song I wanted to present you today, “Sie Koumgolo”, an uplifting melancholic ballad with psychedelic guitars and wild piano parts, is taken from his last LP, recorded in 1979 in Ivory Coast.
Coulibaly Tidiani – Sie Koumgolo
You can also listen to it on my Youtube channel here : https://youtu.be/O4FidjZbWxY
Have a nice day,
Armand

Mahmoud Ahmed – Ambasel (Ethiopia, 1973, Amha Records)

For today, I wanted to share with you the masterpiece “Ambasel“, favourite deep Ethio Jazz track, composed in 1973 by the Master Mahmoud Ahmed – Enjoy !

Mohamud Ahmed – Ambasel

You can also listen to this song on my Youtube channel here : https://youtu.be/YpmpQTPdoGw

Best regards,

Armand de Preseau

Pat Thomas & Marijata – I Need More (Ghana, 1977, Gapophone)

Born in 1951 in Agona (Ashanti region of Ghana), Pat Thomas is, with Ebo Taylor (an old friend of him, who plays guitar on the track presented here), one the greatest figures of the Ghanaian music.
Immersed in the musical scene since his childhood, Pat Thomas has recorded more than 20 albums, dozens and dozens of singles, and has played with many bands through the years, from Highlife to Afrobeat : The Blue Monks, The Satellites, The Sweet Beans (his own band), Marijata..
Pat Thomas – who lives in Ghana today – is, as Ebo Taylor, still playing and recording nowadays, and is regularly on tour.
The track presented here, “I Need More“, is taken from his last album on the Gapophone music label (one of the best record label from Ghana) and was recorded back in the time by Kayode Salami and Monday Oki, the two mythical recording engineers of the EMI NIGERIA studios based in Lagos.

Pat Thomas & Marijata – I Need More

You can also listen to it on my Youtube channel here : https://youtu.be/Gpo2tbIou2E

Have a nice sunday,

Armand de Preseau

The Identicals – Akwa Kayi Ji Bia Nuwa (Nigeria, 1977, Emi Nigeria)

The Identicals was a Nigerian band composed by two twins brothers, Peter (Bass) and Paul (Guitar) State, who played around Lagos clubs and studios (as backing members for other musicians) back in the 70’s.
The song presented here, “Akwa Kayi Ji Bia Nuwa” is taken from their one and only album, “Rock Exponent“, and is a sublime example of the local Psychedelic Afro Rock scene back in the Nigeria of the 70s.
The title of this song could be translated (in Igbo language) as “We Come Into This World Crying” – Enjoy !
The Identicals – Akwa Kayi Ji Bia Nuwa

You can also listen to this song on my Youtube channel here : https://youtu.be/EgiQZmHG9Nk

Take a good care of you,

Armand de Preseau

Balla et ses Balladins – Samba (Guinea, 1972, Editions Syliphone Conakry)

Samba” is a very well known traditional folk song from the Wassoulou area (situated between Ivory Coast, Guinea and Mali), adapted here by the national legendary “Balla et ses Balladins” Guinean orchestra, leaded by Balla Onivogui.

This song talks about Samba, a young and unlucky taxi driver from Conakry (Guinea) who fall in love with one of his customers. He steals the earings of the girl to see her again, but the father of the girl finds out the craftiness of the young Samba and casts out the boy. After many adventures, everything goes finally in order when Samba asks the girl in marriage.

Several covers of this song, in different musical styles, were recording during from the 70s to the 80s, to traditional from afro rock and funk way – Hope you’ll enjoy this one !!

Balla et ses Balladins – Samba

You can also listen to this song on my Youtube channel here : https://youtu.be/DWneGfCaVps

Take care,

Armand

Jean-Claude Vinson – RN7 (Madagascar, 2013, Self-production)

Jean-Claude Vinson is a Madagascan guitarist and singer, born in 1958 and who released 2 albums surrounded by the best musicians of the island, as Sylvin Marc or Jean Emilien Rakotonandrasana.

Strongly influenced by his idol Carlos Santana, he learnt to play the guitar by himself, and his music is a unique mixture of Rock, Traditionnal Madagascan Rhythms, Folk and Jazz music.

He lives between Madagascar and the south of France, and is also strongly involved into environmental care and Madagascan politics.

He also militates for the defense and recognition of the primitive people “Mikea” of Madagascar, a tribe of hunter-gatherers who live in the Mikea Forest, on the South of the Island.

He’s currently working on his next album, that will be out next year.

I decided to make you discover “RN7“, the first track of his second album “Blue Bird“, a perfect example of the musical genre he managed to create, halfway between tradition and modernity – Enjoy !

Jean-Claude Vinson – RN7

You can also listen to this song on my Youtube channel here : https://youtu.be/UAqYneoezqA

Feel free to contact me if you want to buy the “Blue Bird” album, all the benefits goes straight to the artist !

(You can also purchase the album here : https://www.discogs.com/fr/sell/item/801188260,all the benefits will also be redistribute to the artist).

Best regards,

Armand

N’Draman Blintch – I First U Last (Armand de Preseau Edit) (Nigeria, 1979, Cosmic Sounds)

N’Draman Blintch was an artist from Nigeria who released three auto-produced obscure albums at the end of the 70s, and who was one of those very few precursors that experimented cosmic vintage synths in Africa back in 70s, as William Onyeabor also did.

I decided to present you an edit I made of “I First U Last“, the last track of his first album, a catchy cosmic Afro Funk track with crazy organ parts – Enjoy !

N’Draman Blintch – I First U Last (Armand de Preseau Edit)

You can also listen to this song on my Youtube channel here : https://youtu.be/u4JhFoC4Fqk

Or on my Soundcloud page here : https://soundcloud.com/armand_de_preseau/ndraman-blintch-i-first-u-last-armand-de-preseau-edit

Have a nice sunday,

Armand